1. Introduction to General Prologue by Geoffrey Chaucer 2. The Portrait of The Knight 3. The Portrait of The Squire 4. The Portrait of The Yeoman 5. The Portrait of Prioress 6. The Portrait of The Monk 7. The Portrait of The Friar 8. The Portrait of The Merchant 9. The Portrait of The Clerk 10. The Portrait of The Man of Law 11. The Portrait of The Fraklin 12. The Portrait of The Tradesmen 13. The Portrait of The Cook 14. The Portrait of The Shipman 15. The Portrait of The Physician 16. The Portrait of The Wife of Bath 17. The Portrait of The Parson 18. The Portrait of The Plowman 19. The Portrait of The Miller 20. The Portrait of The Manciple 21. The Portrait of The Reeve 22. The Portrait of The Pardoner 1. Reading Sonnet 15 2. Reading Sonnet 18 3. Reading Sonnet 116 4. Critical Analysis Sonnet 18 5. Critical Analysis Sonnet 116 1. Reading A Valediction Forbidding Mourning: Intro 2. Reading A Valediction Forbidding Mourning: Part I 3. Reading A Valediction Forbidding Mourning: Part II 4. Reading A Valediction Forbidding Mourning: Themes 5. Reading A Valediction Forbidding Mourning: Symbols 6. Critical Analysis of A Valediction Forbidding Mourning: Intro 7. Critical Analysis of A Valediction Forbidding Mourning: Part –I 8. Critical Analysis of A Valediction Forbidding Mourning: Part-II 9. Critical Analysis of A Valediction Forbidding Mourning: Part-III 10. Reading The Canonization: Intro 11. Reading The Canonization: Part-I 12. Reading The Canonization: Part II 13. Reading The Canonization: Themes 14. Reading The Canonization: Symbols 15. Critical Analysis The Canonization: Part I 16. Critical Analysis The Canonization: Part II 1. An Apology for Poetry: Intro 2. An Apology for Poetry: Part I 3. An Apology for Poetry: Part II 1. Reading Amoretti 02 2. Reading Amoretti 05 3. Reading Amoretti 07 4. Critical Analysis Amoretti 02 5. Studying Meter Amoretti 02 6. Figure of Speech Amoretti 02 7. Critical Analysis Sonnet 05 8. Studying Meter Sonnet 05
1. Reading Sonnet 15 2. Reading Sonnet 18 3. Reading Sonnet 116 4. Critical Analysis Sonnet 18 5. Critical Analysis Sonnet 116
1. Reading A Valediction Forbidding Mourning: Intro 2. Reading A Valediction Forbidding Mourning: Part I 3. Reading A Valediction Forbidding Mourning: Part II 4. Reading A Valediction Forbidding Mourning: Themes 5. Reading A Valediction Forbidding Mourning: Symbols 6. Critical Analysis of A Valediction Forbidding Mourning: Intro 7. Critical Analysis of A Valediction Forbidding Mourning: Part –I 8. Critical Analysis of A Valediction Forbidding Mourning: Part-II 9. Critical Analysis of A Valediction Forbidding Mourning: Part-III 10. Reading The Canonization: Intro 11. Reading The Canonization: Part-I 12. Reading The Canonization: Part II 13. Reading The Canonization: Themes 14. Reading The Canonization: Symbols 15. Critical Analysis The Canonization: Part I 16. Critical Analysis The Canonization: Part II 1. An Apology for Poetry: Intro 2. An Apology for Poetry: Part I 3. An Apology for Poetry: Part II 1. Reading Amoretti 02 2. Reading Amoretti 05 3. Reading Amoretti 07 4. Critical Analysis Amoretti 02 5. Studying Meter Amoretti 02 6. Figure of Speech Amoretti 02 7. Critical Analysis Sonnet 05 8. Studying Meter Sonnet 05
1. An Essay on Dramatic Poesy: Intro 2. An Essay on Dramatic Poesy: Part I 3. An Essay on Dramatic Poesy: Part II 4. An Essay on Dramatic Poesy: Part III 1. Preface to Lyrical Ballads: Introduction 2. Preface to Lyrical Ballads: Objectives 3. Preface to Lyrical Ballads: Subject Matter of Poetry 4. Preface to Lyrical Ballads : Language of Poetry 5. Preface to Lyrical Ballads: Definition of Poetry 6. Preface to Lyrical Ballads: Style of Lyrical Ballads 7. Preface to Lyrical Ballads: Definition of Poet 1. The Function of Criticism at the Present Time: Intro 2. The Function of Criticism at the Present Time: Part I 3. The Function of Criticism at the Present Time: Part II 1. Practical Criticism: Intro 2. Practical Criticism: Part I
1. Marxism Introduction: Part I 2. Marxism Introduction: Part II 3. Application of Marxism: Part I 4. Application of Marxism: Part II 5. Base and Superstructure by Raymond Williams: Intro 6. Base and Superstructure by Raymond Williams: Part I 7. Base and Superstructure by Raymond Williams: Part II 8. Base and Superstructure by Raymond Williams: Part III 9. Ideological State Apparatus & Repressive State Apparatus by Louis Althusser: Part I 10. Ideological State Apparatus & Repressive State Apparatus by Louis Althusser: Part I 11. Theory of Ideology: Intro 12. Theory of Ideology: Part I 13. Theory of Ideology: Part II 1. What is Feminism? 2. What is First and Second Wave Feminism? 3. What is third and fourth Wave Feminism 4. Virginia Woolf: Life and Times 5. Introduction to A Room of One's Own: Part 6. Introduction to A Room of One's Own: Part II 7. Detailed Analysis of A Room of One's Own: Part I 8. Detailed Analysis of A Room of One's Own: Part II 9. Detailed Analysis of A Room of One's Own: Part III 10. Towards Feminist Poetics: Intro 11. Towards Feminist Poetics: Part I 12. Towards Feminist Poetics: Part II 13. Helen Cixous Life and Times 14. The Laugh of Medusa: Intro 15. The Laugh of Medusa: Part I 16. The Laugh of Medusa: Part II
1. Psychoanalytic Theory: Intro 2. Psychoanalytic Theory: Model of Psyche 3. Psychoanalytic Theory: Repression and Complexes 4. The Interpretation of Dreams 5. Defense Mechanisms 6. The Mirror Stage: Intro 7. The Mirror Stage: Part I 8. The Mirror Stage: Part II